{"id":15700,"date":"2019-08-29T07:44:23","date_gmt":"2019-08-29T07:44:23","guid":{"rendered":"http:\/\/www.uwb.edu\/?p=15700"},"modified":"2026-03-03T14:32:49","modified_gmt":"2026-03-03T22:32:49","slug":"ching-in-chen","status":"publish","type":"page","link":"https:\/\/www.uwb.edu\/ias\/faculty-and-staff\/ching-in-chen","title":{"rendered":"Ching-In Chen"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Associate Professor<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/www.uwb.edu\/ias\/wp-content\/uploads\/sites\/30\/2023\/06\/IAS-Faculty-ChingIn-Chen-Square.jpg\" alt=\"Ching-In Chen\" class=\"wp-image-27827\" style=\"width:200px;height:200px\" srcset=\"https:\/\/www.uwb.edu\/ias\/wp-content\/uploads\/sites\/30\/2023\/06\/IAS-Faculty-ChingIn-Chen-Square.jpg 225w, https:\/\/www.uwb.edu\/ias\/wp-content\/uploads\/sites\/30\/2023\/06\/IAS-Faculty-ChingIn-Chen-Square-150x150.jpg 150w, https:\/\/www.uwb.edu\/ias\/wp-content\/uploads\/sites\/30\/2023\/06\/IAS-Faculty-ChingIn-Chen-Square-125x125.jpg 125w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n\n\n\n<p class=\"is-style-highlight-paragraph-grey-background\">Ph.D, English (with concentration in Creative Writing; certificate in Women\u2019s Studies), University of Wisconsin\u2014Milwaukee<br>M.F.A., Writing for the Performing Arts and Creative Writing, University of California, Riverside<br>B.A., English and International Relations, Tufts University<\/p>\n\n\n\n<p>Email: chingin@uw.edu<br>Website: <a href=\"https:\/\/www.chinginchen.com\/\" target=\"_blank\" rel=\"noopener\">Ching-In Chen<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Teaching<\/h2>\n\n\n\n<p>I approach my classes as experimental laboratories where students are invited to explore various approaches and lineages to actively construct their  own knowledges, with particular commitment to historically underrepresented voices and stories. I believe in pedagogy which enables students to test out their critical and creative thinking through concrete engagement with their peers and with those active in the field and wider community, helping them acquire important skills which will last beyond the space of our classroom.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Recent Courses Taught<\/h2>\n\n\n\n<p>BISIA 310 Creative Writing: Poetry<br>BISIA 311 Creative Writing: Prose<br>BISIA 401 Literary &amp; Arts Journal<br>BISIA 410 Advanced Creative Writing Workshop<br>BCWRIT 510 Poetics Seminar: Cultural Change and Writing<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Research\/Scholarship<\/h2>\n\n\n\n<p>I am a cross-genre writer with a background in community organizing, specifically in Asian American communities in coalition with other communities of color and LGBTQIA* communities. My work participates in a lineage of documentary and speculative poetics, which uses documents and other historical evidence as material from which to imagine under-examined lives and investigate how various communities interact and inhabit space. Using strategies of juxtaposition and multi-voice collage, I utilize historical artifacts including photographs, newspaper articles, maps, city directory listings, immigration, birth and death records and as well as scholarly research and archaeological reports to look at shared community memories and erasures. I am currently working on <a href=\"https:\/\/www.jackstraw.org\/exhibit\/ching-in-chen-and-cassie-mira-breathing-in-a-time-of-disaster\/\">Breathing in a Time of Disaster<\/a>, an improvised choral performance, installation and speculative writing project focusing on the unit of breath in relation to ecological change and community wisdom.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Selected Publications<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Books<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.kelseystreetpress.org\/product-page\/recombinant-by-ching-in-chen\" target=\"_blank\" rel=\"noreferrer noopener\">recombinant<\/a>. Berkeley: Kelsey Street Press, 2017.<\/li>\n\n\n\n<li><a href=\"http:\/\/www.arktoi.com\/books\/heart.shtml\" target=\"_blank\" rel=\"noopener\">足彩app哪个是正规的 Heart&#8217;s Traffic: a novel in poems<\/a>. Los Angeles: Arktoi Books\/Red Hen Press, 2009.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Chapbooks<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/yoyolabs.com\/chen.html\">Kundiman for Kin :: Information Retrieval for Monsters.<\/a> Brooklyn: Portable Press @ Yo-Yo Labs.<\/li>\n\n\n\n<li><a href=\"https:\/\/store7011196.ecwid.com\/To-Make-Black-Paper-Sing-Ching-In-Chen-p177020081\">to make black paper sing<\/a>. Berkeley: speCt! Books, 2019.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Works in Anthologies<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.autumnhouse.org\/books\/queer-nature-a-poetry-anthology\/\">\u201cDear O,\u201d Queer Nature: An Ecoqueer Poetry Anthology<\/a>. (https:\/\/www.autumnhouse.org\/books\/queer-nature-a-poetry-anthology\/) Michael Walsh, Ed. Autumn House Press, 2022.<\/li>\n\n\n\n<li><a href=\"https:\/\/gualalaarts.org\/category\/workshop\/\">\u201cTexas,\u201d 足彩app哪个是正规的 Beautiful.<\/a> Dana Teen Lomax, Ed. Gualala Arts, 2022.<\/li>\n\n\n\n<li><a href=\"https:\/\/tupress.temple.edu\/books\/q-a-2\">\u201cinspector of journals makes introductions: Fan &amp; Basket plot escape from Peabody Essex Museum.\u201d Q&amp;A \u2013 Voices from Queer Asian North America.<\/a> Martin F. Manalansan IV, Alice Y. Hom, and Kale Bantigue Fajardo, Eds. Temple University Press, 2021.<\/li>\n\n\n\n<li>\u201cFlood Fathers\u201d and \u201cGuest\/Stalker,\u201d <a href=\"http:\/\/www.sundresspublications.com\/e-anthologies\/nombono\">NOMBONO: An Anthology of Speculative Poetry by BIPOC Creators<\/a>. Akua Lezli Hope, Ed. Sundress Publications, 2020.<\/li>\n\n\n\n<li>\u201cSouth in Hundreds (one hundred.),\u201d \u201cSouth in Hundreds (two hundred.),\u201d \u201cSouth in Hundreds (three hundred.),\u201d \u201cSouth in Hundreds (four hundred.),\u201d \u201cSouth in Hundreds (five hundred.),\u201d and \u201cSeller.\u201d <a href=\"https:\/\/www.twanganthology.org\/\">TWANG: a collection of art &amp; writing from transgender, nonbinary &amp; gender non-conforming folks in the south &amp; midwest.<\/a> Brody Parrish Craig, Ed, 2020.<\/li>\n\n\n\n<li>\u201cBehind the Ballroom,\u201d \u201cHousehold Mutations,\u201d \u201cReturning to a Posted Notice Taped to the Door,\u201d \u201cTrying to Feel Human\/Tomorrow,\u201d and \u201cSelf-Portrait, house with no one Present.\u201d <a href=\"https:\/\/nightboat.org\/book\/we-want-it-all\/\">We Want It All: An Anthology of Radical Trans Poetics.<\/a> Andrea Abi-Karam and Kay Gabriel, Eds. Nightboat, 2020.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.amazon.com\/Color-Making-Anthology-Transformative-Poetics\/dp\/1946031496\" target=\"_blank\" rel=\"noopener\">How do you begin (another poetics)<\/a>,\u201d Of Color: Poets\u2019 Way of Making. 足彩app哪个是正规的 Operating System, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/beltpublishing.com\/products\/milwaukee-anthology\" target=\"_blank\" rel=\"noopener\">Milwaukee\u2019s Pacific Heritage<\/a>,\u201d 足彩app哪个是正规的 Milwaukee Anthology. Cleveland, OH: Belt Publishing, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.akpress.org\/feminisms-in-motion.html\" target=\"_blank\" rel=\"noopener\">Arrestable<\/a>,\u201d Feminisms in Motion: A Decade of Intersectional Feminist Media. Oakland, CA: AK Press, 2018.<\/li>\n\n\n\n<li>\u201c[as a space to occupy] crossing the source,\u201d \u201chunting ancestors,\u201d \u201ca lit ghost,\u201d and \u201cvarious various.\u201d <a href=\"http:\/\/www.anhingapress.org\/poetry\/reading-queer-poetry-in-a-time-of-chaos\" target=\"_blank\" rel=\"noopener\">Reading Queer: Poetry in a Time of Chaos<\/a>. Tallahassee, FL: Anhinga Press, 2018.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.bloomsburycollections.com\/book\/creative-writing-innovations\/ch15-gender-identity-and-the-creative-writing-classroom\" target=\"_blank\" rel=\"noopener\">Gender Identity and the Creative Writing Classroom<\/a>.\u201d Creative Writing Innovations. New York: Bloomsbury, 2017.<\/li>\n\n\n\n<li>\u201cSaying My Name with Happiness.\u201d <a href=\"https:\/\/www.modernhistorypress.com\/authors\/sherry-quan-lee\/how-dare-we-write\/\" target=\"_blank\" rel=\"noopener\">How Dare We! Write: A Multicultural Creative Writing Discourse<\/a>. Ann Arbor, MI: Modern History Press.<\/li>\n\n\n\n<li>Manifesto of Shame,\u201d <a href=\"http:\/\/jacarpress.com\/resisting-arrest\/\" target=\"_blank\" rel=\"noopener\">Resisting Arrest<\/a>. Durham, NC: Jacar Press, 2016.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Works in Journals<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201c<a href=\"https:\/\/aaww.org\/queer-poetry-a-zuihitsu\/\">Queer Poetry: a Zuihitsu<\/a>;\u201d&nbsp;\u201c<a href=\"https:\/\/aaww.org\/notes-on-zuihitsu\/\">Love Letter to Dear Zuihitsu,<\/a>\u201d 足彩app哪个是正规的 Margins,&nbsp;<em>Asian American Writers\u2019 Workshop,<\/em>&nbsp;2022.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.concisionpoetry.com\/ching-in-chen-1\">\u201cinside me, more family.\u201d<\/a>&nbsp;<em>Concision Poetry Journal<\/em>, 2022.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.kwelijournal.org\/poetry-1\/2021\/11\/25\/inside-me-another-family-by-ching-in-chen\">\u201cInside Me, a Family,\u201d<\/a>&nbsp;Poem-A-Day,&nbsp;<em>Academy of American Poets.<\/em><\/li>\n\n\n\n<li><a href=\"https:\/\/www.interimpoetics.org\/384\/ching-in-chen\">\u201cArchive Bereft of Words,\u201d<\/a>&nbsp;<em>Interim: A Journal of Poetry and Poetics,<\/em>&nbsp;2021.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.kwelijournal.org\/poetry-1\/2021\">\u201cInside me, another family,\u201d<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.kwelijournal.org\/poetry-1\/2021\/11\/25\/i6bxr7r9e5wb66t3f8g3b0ndmgaxq2\">\u201cInside me, I write \/ a swarm of ants,\u201d<\/a>&nbsp;<em>Kweli,&nbsp;<\/em>2021.<\/li>\n\n\n\n<li><a href=\"https:\/\/www.therupturemag.com\/rupture\/gatha-for-forest-walk\">\u201cGatha for Forest Walk \/ When No Father Arrives,\u201d<\/a>&nbsp;<a href=\"https:\/\/www.therupturemag.com\/rupture\/desert\">\u201cDesert \/ Nine Days,\u201d<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.therupturemag.com\/rupture\/park\">\u201cPark.\u201d<\/a>&nbsp;<em>足彩app哪个是正规的 Rupture<\/em>, 2021.<\/li>\n\n\n\n<li><a href=\"https:\/\/southseattleemerald.com\/2021\/02\/13\/dumpling-making-kin\/\">\u201cDumpling-Making Kin.\u201d<\/a>&nbsp;<em>South Seattle Emerald<\/em>.<\/li>\n\n\n\n<li><a href=\"https:\/\/bluecactuspress.com\/2021\/02\/04\/hybrid-poetry-by-ching-in-chen\/\">\u201cStill Green,\u201d \u201cPilgrimage,\u201d \u201cFlood Fathers,\u201d \u201cOvernight Holiday,\u201d and \u201cEmperor.\u201d<\/a>&nbsp;<em>Blue Cactus Press<\/em>.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/150389\/perfect-orange\" target=\"_blank\" rel=\"noreferrer noopener\">Perfect Orange<\/a>,\u201d&nbsp;<em>POETRY<\/em>, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/150390\/spell-for-safe-passage\" target=\"_blank\" rel=\"noreferrer noopener\">Spell for Safe passage<\/a>,\u201d&nbsp;<em>POETRY<\/em>, 2019.<\/li>\n\n\n\n<li>\u201cafter so many days fled from scattering mold,\u201d \u201cTuning Fork Conversation,\u201d&nbsp;<a href=\"http:\/\/anmly.org\/ap28\/transtastic-tomorrows-28\/ching-in-chen\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Transtastic&nbsp;Tomorrows folio, Anomaly<\/em><\/a>, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/www.poetryfoundation.org\/poetrymagazine\/poems\/148784\/spell-for-a-hole\" target=\"_blank\" rel=\"noreferrer noopener\">Spell for a Hole<\/a>,\u201d&nbsp;<em>POETRY<\/em>, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/rubinmuseum.org\/spiral\/breath-for-guan-yin\" target=\"_blank\" rel=\"noreferrer noopener\">Breath for Guan Yin<\/a>,\u201d&nbsp;<em>Spiral<\/em>, 2019.<\/li>\n\n\n\n<li>\u201corigins,\u201d \u201cy\u00eau em d\u00e0i l\u00e2u (me love you long time): draft\u201d; \u201cme long you love time: revision,\u201d&nbsp;<a href=\"https:\/\/www.underbellymag.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>underbelly<\/em><\/a>, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"http:\/\/www.maryjournal.org\/sonata\" target=\"_blank\" rel=\"noreferrer noopener\">Sonata<\/a>,\u201d&nbsp;<em>MARY: a Journal of New Writing<\/em>, 2019.<\/li>\n\n\n\n<li>\u201c<a href=\"https:\/\/broadsidedpress.org\/broadsides\/hiding-names\/\" target=\"_blank\" rel=\"noreferrer noopener\">(Hiding) Names<\/a>,\u201d&nbsp;<em>In Praise of Polyphony foli<\/em>o, Broadsided Press, 2018.<\/li>\n\n\n\n<li>\u201cInfinity Plus One,\u201d \u201cBut 足彩app哪个是正规的re Are Limits,\u201d \u201cTo Even Conceive Infinity, 足彩app哪个是正规的re Are Limits (process notes),&nbsp;<a href=\"https:\/\/www.southeastreview.org\/single-post\/2018\/11\/05\/Two-Poems-with-Process-Notes-by-Ching-In-Chen\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Southeast Review<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cAnother Spell for Hole,\u201d&nbsp;<a href=\"https:\/\/www.unmargin.org\/incantations\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Unmargin<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cDear O,\u201d \u201cLepus,\u201d&nbsp;<a href=\"https:\/\/therumpus.net\/2018\/04\/national-poetry-day-26-ching-in-chen\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Rumpus<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cWith (prep.),\u201d&nbsp;<a href=\"https:\/\/www.ironhorsereview.com\/archive?lightbox=dataItem-jr9kg7xv\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Best of Iron Horse Literary Review Poetry<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cDay 15: Egg Song,\u201d \u201cDay 16: No Visitors Allowed,\u201d \u201cDay 17: Moneymaker Goat,\u201d \u201cDay 18: Melted Fans for Fees,\u201d \u201cDay 19: Image for Exposition,\u201d&nbsp;<a href=\"http:\/\/www.bigecho.org\/five-poems-from-formerly-floodland\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Big Echo SF<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cSpell for Safety,\u201d&nbsp;<a href=\"http:\/\/www.originsjournal.com\/split-this-rock-and-origins-journal-special-issue\/2018\/4\/18\/bvompfo8wu6ahid1hrhpq3pqt7olwk\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Origins Journal<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cRelatives,\u201d \u201cTrying to Feel Human Again,\u201d&nbsp;<a href=\"http:\/\/www.trackfourjournal.com\/ching-in-chen--two-poems.html\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Track\/\/Four<\/em><\/a>, 2018.<\/li>\n\n\n\n<li>\u201cSelf-Portrait, Belong,\u201d \u201cSelf-Portrait, Opposite Reflection,\u201d \u201cSelf-Portrait, Machine,\u201d&nbsp;<em>Tayo<\/em>, 2018.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Associate Professor Ph.D, English (with concentration in Creative Writing; certificate in Women\u2019s Studies), University of Wisconsin\u2014MilwaukeeM.F.A., Writing for the Performing Arts and Creative Writing, University of California, RiversideB.A., English and International Relations, Tufts University Email: chingin@uw.eduWebsite: Ching-In Chen Teaching I approach my classes as experimental laboratories where students are invited to explore various approaches and&#8230;<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1254,"menu_order":49,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"_is_archived":false,"_archived_contact_email":"","footnotes":""},"class_list":["post-15700","page","type-page","status-publish","hentry"],"acf":{"related_links":{"toggle_visibility":false,"link_1":"","link_2":"","link_3":"","link_4":"","link_5":""},"highlight_box":{"toggle_visibility":false,"title":"","content":"","button":"","button_style":"angled-purple-button","button_screen_reader_text":""},"contact_type_1":{"toggle_visibility":true,"contact_title":"School of Interdisciplinary Arts &amp; Sciences","email":"iasinfo@uw.edu","phone":"425.352.5350","box":"Box 358530","address_line_1":"18115 Campus Way NE","address_line_2":"Bothell, WA 98011-8246","location":""},"contact_type_2":{"toggle_visibility":false,"contact_title":"","email":"","phone":"","box":"","address_line_1":"","address_line_2":"","location":""},"social_media":{"toggle_visibility":false,"facebook_url":"","instagram_url":"","linkedin_url":"","twitter_url":"","youtube_url":""},"blog_archive_sidebar_visibility":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ching-In Chen - School of Interdisciplinary Arts &amp; Sciences<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwb.edu\/ias\/faculty-and-staff\/ching-in-chen\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ching-In Chen - School of Interdisciplinary Arts &amp; 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